Acknowledgements

We are grateful to the following individuals and organisations for permission to use their material in New Learning.

Figure 0.4, 0.5, 2.1, 2.2, 2.3, 2.4, 2.5, 2.6, 2.7, 2.10, 2.11, 2.12, 2.13, 2.14, 2.15, 2.16, 2.17, 2.18, 4.2, 4.3, 4.5, 7.5: © Mary Kalantzis and Bill Cope; 1.1: Kano Tan’yu, Japanese, 1602–1674, Confucius at the ‘Apricot Altar’. Japanese, Edo period, mid-17th century. One from a set of three panels; ink and light colour on silk. 104.3 x 74.4 cm. Museum of Fine Arts, Boston. Fenollosa-Weld Collection, 11.4400. © 2012 Museum of Fine Arts, Boston; 2.8: US Library of Congress Prints and Photographs Division, Washington, DC. LC-B2-2925-9; 2.9, 5.4, 7.2, 7.3, 7.4, 8.2, 8.3, 8.4: Courtesy Wikimedia Commons; 3.1: Bentleigh Historical Library, University of Michigan; 3.4, 10.13: © Phillip Kalantzis-Cope; 6.2: Marxists.org Archive; 8.5: Courtesy Lisa Delpit.

Every effort has been made to trace and acknowledge copyright. The publisher apologises for any accidental infringement and welcomes information that would redress this situation.